Archive for the ‘Uncategorized’ Category

Sep27

Lovely Learning Of Diversity in OMI/Excelsior Living Library & Think Park !

Attract and Disperse : Lessons in Diversity What better way to experience the diversity of life on our planet than to be taught in a garden? Each day spent in the garden immerses a student in a natural environment where plants and animals interact. Over time, they see thesis organisms change seasonally and develop throughout their lives. Through garden education, students witness these natural cycles firsthand.

1Thank you, Mr. Bee, for helping to pollinate our zucchini!

This month, Pre-K students at San Miguel Early Education School began to learn about flowers as attractors for pollinators. They went on a "color scavenger hunt", matching colored flashcards to plants throughout the garden.

2Over here, pollinators!

3Perfect match!

Older students at San Miguel had a seed diversity lessons, dissecting and investigating a variety of seed vessels. We discussed how reproductive rate may vary between plants as a result of their differing seed dispersal methods.

4Can you name the 8 different plants whose seeds are pictured here?

8

Working some ART into our S.T.E.M. lessons -  we believe in the power of S.T.E.A.M. !

3

Speaking of Scarlet Runners - have you ever seen such beautiful beans as these?

5Scientific illustrator in training

Prayer Flag Project Complete!

Teachers Sue Meyer and Cecilia Frisardi worked with several classes on an art and literacy project at San Miguel Early Education School this past summer. Students were asked to come up with dreams and goals for their communities and paint these onto a flag. Check out the display in the Redwood Circle at the OMI/Excelsior Branch of a living library today!

6 Sue's class inscribed their flag with such phrases as "Grow Food", "Save Water", and "Spread Love".

7With each gust of wind, positive energy blows across the schoolyard.

Jul07

Bonnie Ora Sherk Public Talk: EVOLUTION OF LIFE FRAMES – Past, Present, Future

Public Lecture


EVOLUTION OF LIFE FRAMES

Mills College Art Museum | Danforth Lecture Hall 
Wednesday, 7:00 PM, September 23rd, 2015

in conjunction with Exhibition, 
Public Works


NOTICE TO VIEWERS:
 
Due to technical issues the following images of artworks 
shown in EVOLUTION OF LIFE FRAMES are improperly formatted.

Thank you for understanding.

Stephanie Hanor, Director of Mills College Art Museum introduces Bonnie Ora Sherk.
 
Sep30

FREE Program For Parents & Children with A Living Library & Roosevelt Island Public Library

Please join us again for this exciting Free hands-on learning Program for PARENTS & CHILDREN TOGETHER in NYC on Roosevelt Island !

ALL&Library6UPDATEDFlyerFALL15-1

A.L.L. Gardening, Literacy, Multi-Arts, Science, Nutrition,

Local History/Ecology 

FREE PROGRAM with

A LIVING LIBRARY & RI BRANCH PUBLIC LIBRARY

Wednesday Afternoons This Fall

September 30 – November 18 | 3:30-5:00 p.m.

RI Living Library & Think Park

Register Now at the RI Library - 524 Main Street, Roosevelt Island 

Enrollment Limited to 25 Families

(Caregivers included) with Children (ages 4-14)

TALK, THINK, FEEL & DO !!!!

Come Grow With Us!

For More Information Contact:

Nicole Nelson: 212-308-6243 / Premilla Dixit Hobbs: 845-443-0386

You can download the application here

Sep06

Invitation to PUBLIC WORKS at Mills College Art Museum !

Greetings Friends !

I am very pleased to invite you, your friends and relations to the opening reception of Public Works - Artists’ Interventions on September 16, 6-8 pm, a group exhibition at Mills College Art Museum in Oakland, California, curated by Christian Frock and Tanya Zimbardo, and the following week, to my illustrated talk on selected works - Past Present Future - on September 23, 7 pm, in Danforth Hall, adjacent to the Museum.

The exhibition features Sitting Still l (pictured on attached pdf announcement) and the Sitting Still Series among other artists' works. At the time that I created this work (1970), I was exploring the nature of what a performance could be, where it could be, and who could be an audience. With this work, I thought I was simply demonstrating how a seated human figure could easily transform an environment - but as it turns out, I was really doing much, much more.

MCAM_PublicWorks_card-page-001

What I learned some years later, is that I was actually facing my future:

Sitting Still l took place in a neglected garbage area where water had collected due to the construction of the 101 Freeway Interchange at then called, Army & Potrero.  Sitting in the overstuffed armchair I found there, I faced the “audience” of people in slow-moving cars, and I also faced:

      • Exact site of what would become Crossroads Community (the farm) , a pioneering urban agriculture community farm, art and education center, and farm park that I developed beginning in 1974
      • Northern frame of Islais Creek Watershed along Cesar Chavez Street.
      • 101 Freeway Interchange at Army & Potrero that was being built, and that I am currently proposing to become the Northern Gateway to the Watershed.
      • And, amazingly enough, I was actually sitting in water from the Islais Creek, in a pond created due to the heavy construction. Today, I am seeing multiple opportunities to daylight the Creek throughout this Watershed to address flooding, climate change, and habitat restoration, and am working to achieve that goal.

Because of all of this powerful and profound synchronicity, I now consider Sitting Still l to be my Watershed Piece, all meanings and puns intended.

Please come to the opening on September 16, 6-8 PM and see the show, and return again for my talk on September 23 at 7 PM . I will discuss how all of this early work has led directly to what I am creating today and for the future with A Living Library, aka, A.L.L.

I look forward to seeing you soon ! Thank you. http://mcam.mills.edu/events/

Sending love and appreciation,
Bonnie Ora

Sep06

PUBLIC WORKS: ARTISTS’ INTERVENTIONS 1970s–NOW, September 16–December 13, 2015

MCAM_PublicWorks_card-page-001

Oakland, CA—August 14, 2015.

The Mills College Art Museum is pleased to announce Public Works: Artists’ Interventions 1970s – Now on view from September 16 to December 13, 2015. Organized by the Mills College Art Museum, Public Works examines strategies of public practice by women artists from the 1970s to the present. The exhibition presents photography, prints, audio, video, and installations from a number of important historical and contemporary projects that explore the inherent politics and social conditions of creating art in public space.

Public Works moves beyond traditional views of public art as monumental and/or permanent artworks and instead focuses on often small but powerful temporary artistic interventions online and in the urban environment. Through various tactics, Public Works explores themes of public space, public expression, public action, public platforms, and public life through the evolving lens of participatory projects, socially engaged performance and political action, among other media.

Christian L. Frock notes, “When considering artists’ interventions in public space, the limits on public expression come into sharp focus, particularly if we also consider the recent backlash against peaceful protests and the rising dominance of private interests. Public Works broadly considers how artists subvert these limitations to advance freedom of expression on a number of salient issues defining public life, specifically in relation to encroaching technologies, personal liberty, gender equality and the environment, among other themes.”

“The desire to work independently outside of traditional venues and formats, to pursue collaboration and to encourage audience participation, informed the development of public practice since the 1970s. Key long-term projects in this survey demonstrate the potential for art to intervene and engage with public policy,” adds Tanya Zimbardo.

The fully illustrated exhibition catalogue of the same title features an introduction by Mills College Art Museum Director Stephanie Hanor, PhD, essays by curators Christian L. Frock and Tanya Zimbardo, and conversations and texts from María del Carmen Carrión, Courtney Fink, Leila Grothe, Valerie Imus, and Meredith Johnson.

The exhibition is supported in part by the Phyllis C. Wattis Foundation.

@millsartmuseum; @publicworks_art; #publicworksintervene; #womenatwork; #millsartmuseum

Book Cover: Bonnie Ora Sherk, detail Sitting Still I, 1970. Courtesy the artist.

RELATED PUBLIC PROGRAMS (Visit http://mcam.mills.edu)

Opening Reception
Wednesday, September 16, 2015 | 6:00-8:00 pm
MCAM

Artist Talk: Bonnie Ora Sherk
Wednesday, September 23, 2015 | 7:00 pm
Danforth Lecture Hall, Mills College

Performance & Panel: On Freedom of Expression and Technology as Public Platform: Featuring a live Skype performance by Enar de Dios Rodríguez, a special multiple produced by Leah Rosenberg, and a panel discussion featuring exhibiting artists Amy Balkin, Tania Bruguera, Stephanie Syjuco, and Favianna Rodriguez.
Sunday, October 4, 2015 | 3:00 pm
Danforth Lecture Hall, Mills College

Curators Talk: Christian L. Frock and Tanya Zimbardo
Wednesday, November 4, 2015 | 7:00 pm
Danforth Lecture Hall, Mills College

Jenifer K. Wofford: MaxiPad
Southern Exposure Off-Site Commission
Sunday, November 8, 2015 | TBA
Location: Oakland

Constance Hockaday: You Make a Better Wall Than a Window - The Tour
Southern Exposure Off-Site Commission
Sunday, December 6, 2015 | TBA
Location: SF Ferry Building

Artists in Exhibition:  Amy Balkin, Tania Bruguera, Candy Chang, Minerva Cuevas, Agnes Denes, Tatyana Fazlalizadeh, Karen Finley, Coco Fusco, Guerrilla Girls, Sharon Hayes, Lynn Hershman Leeson, Jenny Holzer, Emily Jacir, Suzanne Lacy, Marie Lorenz, Susan O’Malley, Adrian Piper, Laurie Jo Reynolds | Tamms Year Ten, Favianna Rodriguez, Bonnie Ora Sherk, Stephanie Syjuco, and Mierle Laderman Ukeles.  Off-site commissions by Constance Hockaday and Jenifer K. Wofford.


ABOUT THE CURATORS:

Christian L. Frock is an independent curator, writer and educator based in the San Francisco Bay Area. She is presently 2015 - 2016 Scholar in Residence at the Center for Art & Public Life at California College of the Arts. Her work focuses on the role of artists in social justice and public life. Invisible Venue, the alternative curatorial enterprise she founded and has directed since 2005, collaborates with artists to present art in the public realm, online and in the built environment. Her writing has been featured in the Guardian US, KQED Arts, NPR.org, Public Art Dialogue, and San Francisco Chronicle, among other publications. Frock has organized numerous interventions and site-specific commissions, including projects with EMERGENCY USA| Thoreau Center for Sustainability, Headlands Center for the Arts, Kala Art Institute, Oakland Main Public Library, and Mills College Art Museum, among others. She is presently visiting faculty at California Institute of Integral Studies, California College of the Arts, and San Francisco Art Institute. Chronicle Books released Frock’s first book, titled Unexpected Art, in March 2015. Her work is archived on www.invisiblevenue.com and www.visiblealternative.com. Frock possesses an MA in curatorial practice from Goldsmiths College, University of London.

Tanya Zimbardo is the Assistant Curator of Media Arts at the San Francisco Museum of Modern Art. She co-curated four off-site SFMOMA commissions in outdoor and non-art spaces for the 2012 SECA Art Award: Zarouhie Abdalian, Josh Faught, Jonn Herschend, David Wilson (2013) exhibition. At SFMOMA, Zimbardo co-organized Fifty Years of Bay Area Art: The SECA Awards and The More Things Change, among other exhibitions. She has curated numerous screenings of film, video, and performance documentation at the museum and other venues. Her research and writing is primarily centered on conceptual art, performance, experimental media, and artist-run projects in California since the 1970s. She has co-authored and contributed texts to several publications including SFMOMA’s Open Space and most recently West Coast Visions, Borusan Contemporary, Istanbul. Zimbardo received her MA in curatorial practice from the California College of the Arts.

Museum hours are Tuesday-Sunday 11:00 am–4:00 pm and Wednesday 11:00 am–7:30 pm. Admission is FREE for all exhibitions and programs unless noted.

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