Posts Tagged ‘San Francisco’

Jul29

Bonnie Ora Sherk – Public Talk at SFAI 2017 Summer Symposium

Funcshuional Art

Bonnie Ora Sherk, long-time ecological artist, landscape architect, planner, educator, and Founder & Director of Life Frames, Inc. & A Living Librarypresented  her pioneering work at the San Francisco Art Institute 2017 Summer Symposium, I Object !  Self Organization + Political Agency as Aesthetic Practice, in conjunction with Cuban Artist,  Tania Bruguera and others, on Saturday, July 15, at the San Francisco Art Institute.  This Symposium was also in conjunction with Bruguera’s exhibition at the Yerba Buena Center for the Arts in San Francisco.

Bonnie Ora Sherk will also give another lecture at Yerba Buena Center for the Arts on August 2, 6:30 pm as part of  Escuela Arte Util (School of Useful Art), also part of Bruguera’s exhibition, and was additionally featured on a KQED radio broadcast and website about the exhibition and Arte Util.

At the SFAI talk, she presented her local and global, planetary genre, A Living Library, as Funcshuional Art, a term she invented, that marries East and West, North and South, with it’s multiple, practical, systemic processes, creative solutions and strategies that transform the environment, address climate change and flood mitigation among other benefits, while also educating all ages about natural systems and ecological stewardship.

Her presentation at SFAI included examples of Branch Living Library & Think Parks in the Islais Creek Watershed, the largest in San Francisco, including the OMI/Excelsior Living Library & Think Park that is transforming four contiguous SFUSD schools and campuses with integrated learning for PreK-12 students (Leadership High School, San Miguel Early Education School, James Denman Middle School, Balboa High School), and the prototype Bernal Heights Living Library & Think Park Nature Walk that is interconnecting multiple schools, parks, public housing, streets, and other open spaces through development of a new, narrative resilient landscape of California native trees and understory with interpretive signage leading to the currently hidden Islais Creek at the south side of St. Mary’s Park and Highway 280.

This Nature Walk will be expanded throughout the Watershed, to interconnect its eleven neighborhoods:  Noe Valley, Mission, Bernal Heights, Potrero Hill, Portola, Crocker-Amazon, Excelsior, OMI, Sunnyside, Glen Park.  Also proposed is transformation of the currently derelict and flooding, Chavez/101 Freeway and Alemany/101 Freeway Interchanges into Northern & Southern Gateways to the Watershed.

Please come to Yerba Center for the Arts in SF on August 2 at 6:30 pm to learn more about Sherk's work with Funcshuional Art and A Living Library.  This talk is free and open to the public.

Dec13

Arte y Cultiva/Art & Cultivation In Bernal Heights Living Library & Think Park At Junipero Serra Early Education School

The Living Library & Think Park at Junipero Serra Early Education School has been transformed this Fall by students, teachers and volunteers working hard to bring life and beauty to the Lower Garden. From Kindergarteners to Fifth Graders, over a hundred students have spent weeks in the Garden, pulling weeds, watering thirsty perennials, creating pathways and building a worm compost to feed the Garden! For some time now, this Living Library & Think Park Garden was needing some TLC, and starting in September it received some enthusiastic helping hands! Bean trellises were built, signs in both Spanish and English were made, and a beautiful mural depicting the relationship between humans and other forms of nature was painted on the stairwell of the Lower Garden.

A fantastic volunteer, Salvador from Chile, graced us with his construction skills and fixed many structures in the Garden. He helped to rebuild garden beds and lent his hand to bringing color and art into the environment ! Thank you, Salvador for all of your hard work!

bedprep-2Growing spaces were rebuilt, soil amended and cultivated with seeds.

plantingbrassicas-34th and 5th Graders planting Broccoli, Brussel Sprouts, Cauliflower and Kale.

beantrellis-2Ms. Monica’s and Ms. P’s Kindergarten Classes planted the beans that quickly climbed up the trellis that the older students helped to erect.

searchingforworms-2-2 searchingforworms2-2-2

Students learned all about worms in Ms. Kristin’s and Ms. Alex’s classes and then went on a scavenger hunt in the Living Library Garden looking for worms, leaves, grass and twigs to add to the worm compost they built.

bilingualsigns-2bilingualsigns2-2 The majority of students at J.Serra are native Spanish speakers, so we wanted to make their Living Library Garden a bi-lingual space. Beautiful images and scientific terms surround the outdoor classroom

  The Lower Garden at Junipero Serra is in bloom and students truly love spending time there. Their Living Library & Think Park is a year-round sanctuary for not only children, but for our wonderful pollinators like hummingbirds, butterflies and bees. The amount of imagination, smiles and laughs that are growing in this ecological and happy environment is enough to bring the roses to bloom and seeds to germinate. The young gardeners of Bernal Heights and the Mission District are busily transforming their Living Library & Think Park Garden into a magical space for humans and other forms of nature, while learning to plant seeds of kindness everywhere they go.   Written by Alexandra Grubb
Aug24

A.L.L. GREEN FUTURES Paid Internship for Middle & High School Students !!

DCYFfall16ALLGreenFuturesFlyer-page-001 DCYF Fall 2016 Green Futures Application Form For more information contact : Cecilia Frisardi ceciliafrisardi@alivinglibrary.org 781-591-9267
Sep06

Invitation to PUBLIC WORKS at Mills College Art Museum !

Greetings Friends !

I am very pleased to invite you, your friends and relations to the opening reception of Public Works - Artists’ Interventions on September 16, 6-8 pm, a group exhibition at Mills College Art Museum in Oakland, California, curated by Christian Frock and Tanya Zimbardo, and the following week, to my illustrated talk on selected works - Past Present Future - on September 23, 7 pm, in Danforth Hall, adjacent to the Museum.

The exhibition features Sitting Still l (pictured on attached pdf announcement) and the Sitting Still Series among other artists' works. At the time that I created this work (1970), I was exploring the nature of what a performance could be, where it could be, and who could be an audience. With this work, I thought I was simply demonstrating how a seated human figure could easily transform an environment - but as it turns out, I was really doing much, much more.

MCAM_PublicWorks_card-page-001

What I learned some years later, is that I was actually facing my future:

Sitting Still l took place in a neglected garbage area where water had collected due to the construction of the 101 Freeway Interchange at then called, Army & Potrero.  Sitting in the overstuffed armchair I found there, I faced the “audience” of people in slow-moving cars, and I also faced:

      • Exact site of what would become Crossroads Community (the farm) , a pioneering urban agriculture community farm, art and education center, and farm park that I developed beginning in 1974
      • Northern frame of Islais Creek Watershed along Cesar Chavez Street.
      • 101 Freeway Interchange at Army & Potrero that was being built, and that I am currently proposing to become the Northern Gateway to the Watershed.
      • And, amazingly enough, I was actually sitting in water from the Islais Creek, in a pond created due to the heavy construction. Today, I am seeing multiple opportunities to daylight the Creek throughout this Watershed to address flooding, climate change, and habitat restoration, and am working to achieve that goal.

Because of all of this powerful and profound synchronicity, I now consider Sitting Still l to be my Watershed Piece, all meanings and puns intended.

Please come to the opening on September 16, 6-8 PM and see the show, and return again for my talk on September 23 at 7 PM . I will discuss how all of this early work has led directly to what I am creating today and for the future with A Living Library, aka, A.L.L.

I look forward to seeing you soon ! Thank you. http://mcam.mills.edu/events/

Sending love and appreciation,
Bonnie Ora

Sep06

PUBLIC WORKS: ARTISTS’ INTERVENTIONS 1970s–NOW, September 16–December 13, 2015

MCAM_PublicWorks_card-page-001

Oakland, CA—August 14, 2015.

The Mills College Art Museum is pleased to announce Public Works: Artists’ Interventions 1970s – Now on view from September 16 to December 13, 2015. Organized by the Mills College Art Museum, Public Works examines strategies of public practice by women artists from the 1970s to the present. The exhibition presents photography, prints, audio, video, and installations from a number of important historical and contemporary projects that explore the inherent politics and social conditions of creating art in public space.

Public Works moves beyond traditional views of public art as monumental and/or permanent artworks and instead focuses on often small but powerful temporary artistic interventions online and in the urban environment. Through various tactics, Public Works explores themes of public space, public expression, public action, public platforms, and public life through the evolving lens of participatory projects, socially engaged performance and political action, among other media.

Christian L. Frock notes, “When considering artists’ interventions in public space, the limits on public expression come into sharp focus, particularly if we also consider the recent backlash against peaceful protests and the rising dominance of private interests. Public Works broadly considers how artists subvert these limitations to advance freedom of expression on a number of salient issues defining public life, specifically in relation to encroaching technologies, personal liberty, gender equality and the environment, among other themes.”

“The desire to work independently outside of traditional venues and formats, to pursue collaboration and to encourage audience participation, informed the development of public practice since the 1970s. Key long-term projects in this survey demonstrate the potential for art to intervene and engage with public policy,” adds Tanya Zimbardo.

The fully illustrated exhibition catalogue of the same title features an introduction by Mills College Art Museum Director Stephanie Hanor, PhD, essays by curators Christian L. Frock and Tanya Zimbardo, and conversations and texts from María del Carmen Carrión, Courtney Fink, Leila Grothe, Valerie Imus, and Meredith Johnson.

The exhibition is supported in part by the Phyllis C. Wattis Foundation.

@millsartmuseum; @publicworks_art; #publicworksintervene; #womenatwork; #millsartmuseum

Book Cover: Bonnie Ora Sherk, detail Sitting Still I, 1970. Courtesy the artist.

RELATED PUBLIC PROGRAMS (Visit http://mcam.mills.edu)

Opening Reception
Wednesday, September 16, 2015 | 6:00-8:00 pm
MCAM

Artist Talk: Bonnie Ora Sherk
Wednesday, September 23, 2015 | 7:00 pm
Danforth Lecture Hall, Mills College

Performance & Panel: On Freedom of Expression and Technology as Public Platform: Featuring a live Skype performance by Enar de Dios Rodríguez, a special multiple produced by Leah Rosenberg, and a panel discussion featuring exhibiting artists Amy Balkin, Tania Bruguera, Stephanie Syjuco, and Favianna Rodriguez.
Sunday, October 4, 2015 | 3:00 pm
Danforth Lecture Hall, Mills College

Curators Talk: Christian L. Frock and Tanya Zimbardo
Wednesday, November 4, 2015 | 7:00 pm
Danforth Lecture Hall, Mills College

Jenifer K. Wofford: MaxiPad
Southern Exposure Off-Site Commission
Sunday, November 8, 2015 | TBA
Location: Oakland

Constance Hockaday: You Make a Better Wall Than a Window - The Tour
Southern Exposure Off-Site Commission
Sunday, December 6, 2015 | TBA
Location: SF Ferry Building

Artists in Exhibition:  Amy Balkin, Tania Bruguera, Candy Chang, Minerva Cuevas, Agnes Denes, Tatyana Fazlalizadeh, Karen Finley, Coco Fusco, Guerrilla Girls, Sharon Hayes, Lynn Hershman Leeson, Jenny Holzer, Emily Jacir, Suzanne Lacy, Marie Lorenz, Susan O’Malley, Adrian Piper, Laurie Jo Reynolds | Tamms Year Ten, Favianna Rodriguez, Bonnie Ora Sherk, Stephanie Syjuco, and Mierle Laderman Ukeles.  Off-site commissions by Constance Hockaday and Jenifer K. Wofford.


ABOUT THE CURATORS:

Christian L. Frock is an independent curator, writer and educator based in the San Francisco Bay Area. She is presently 2015 - 2016 Scholar in Residence at the Center for Art & Public Life at California College of the Arts. Her work focuses on the role of artists in social justice and public life. Invisible Venue, the alternative curatorial enterprise she founded and has directed since 2005, collaborates with artists to present art in the public realm, online and in the built environment. Her writing has been featured in the Guardian US, KQED Arts, NPR.org, Public Art Dialogue, and San Francisco Chronicle, among other publications. Frock has organized numerous interventions and site-specific commissions, including projects with EMERGENCY USA| Thoreau Center for Sustainability, Headlands Center for the Arts, Kala Art Institute, Oakland Main Public Library, and Mills College Art Museum, among others. She is presently visiting faculty at California Institute of Integral Studies, California College of the Arts, and San Francisco Art Institute. Chronicle Books released Frock’s first book, titled Unexpected Art, in March 2015. Her work is archived on www.invisiblevenue.com and www.visiblealternative.com. Frock possesses an MA in curatorial practice from Goldsmiths College, University of London.

Tanya Zimbardo is the Assistant Curator of Media Arts at the San Francisco Museum of Modern Art. She co-curated four off-site SFMOMA commissions in outdoor and non-art spaces for the 2012 SECA Art Award: Zarouhie Abdalian, Josh Faught, Jonn Herschend, David Wilson (2013) exhibition. At SFMOMA, Zimbardo co-organized Fifty Years of Bay Area Art: The SECA Awards and The More Things Change, among other exhibitions. She has curated numerous screenings of film, video, and performance documentation at the museum and other venues. Her research and writing is primarily centered on conceptual art, performance, experimental media, and artist-run projects in California since the 1970s. She has co-authored and contributed texts to several publications including SFMOMA’s Open Space and most recently West Coast Visions, Borusan Contemporary, Istanbul. Zimbardo received her MA in curatorial practice from the California College of the Arts.

Museum hours are Tuesday-Sunday 11:00 am–4:00 pm and Wednesday 11:00 am–7:30 pm. Admission is FREE for all exhibitions and programs unless noted.

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